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The Portrayal of Love: Botticelli's Primavera and Humanist Culture at the Time of Lorenzo the Magnificent By Charles Dempsey
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- Sales Rank: #1766939 in Books
- Brand: Brand: Princeton University Press
- Published on: 1992
- Original language: English
- Number of items: 1
- Dimensions: .73" h x 7.48" w x 9.97" l,
- Binding: Paperback
- 187 pages
- Used Book in Good Condition
From Scientific American
Lucid, elegantly written, and scholarly: a valuable monograph and an exceptionally thoughtful case study of the relation between literature and art.
From The New Yorker
The suggestion that the Primavera does not merely illustrate texts but is itself the material equivalent of a poem guides the study and deepens our understanding of ut pictura poesis in Quattrocento aesthetics.... This book forms the necessary point of departure for all future readings of this most elusive and challenging of Florentine pictures.
Review
"Dempsey eloquently praises the 'philological' precision with which Botticelli wedded the Classical and the vernacular, the modern and the antique. He himself shows a similar combination of eclecticism and critical insight as he weaves ideas and observations from Warburg and Wind, Cropper and Francastel into an original and striking explication of the painting. . . . An erudite and stimulating book."--Anthony Grafton, London Review of Books
"Lucid, elegantly written, and scholarly: a valuable monograph and an exceptionally thoughtful case-study of the relation between literature and art."--Virginia Cox, The Times Literary Supplement
"This book forms the necessary point of departure for all future readings of this most elusive and challenging of Florentine pictures."--Cristelle L. Baskins, Sixteenth Century Journal
"The suggestion that the Primavera does not merely illustrate texts but is itself the material equivalent of a poem guides the study and deepens our understanding of ut pictura poesis in Quattrocento aesthetics.... This book forms the necessary point of departure for all future readings of this most elusive and challenging of Florentine pictures."--Cristelle L. Baskins, Sixteenth Century Journal
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